92700-Colombes-Colombes Habitat Public-Agence du Petit-Colombes-16, place Aragon-01 47 82 08 53 Lentrepôt général du véritable Rob BoyveauLaffecieur se trouve exclusivement chez le docteur GfRAUDEAUDE SAINT-GERVAIS, rue Ri-cher, 12, à Paris. 6132 aligncenter:7bdc7d7d33 Biographiealign:7bdc7d7d33 
-Poissy-APCE 78 centre de Poissy-4 avenue Fernand Lefèbvre-01 43 98 00 00 92260-Fontenay-Aux-Roses-Salle du Parc-4, avenue du Parc-01 46 01 99 19 92230-Gennevilliers-ASSFAM Antenne des Hauts-de-Seine-5, boulevard Beaumarchais-01 47 98 20 56 ALLEMAGNE. Prix 3 thalers. Ait-Ia-Chapelle, chez tous les pharmaciens. Augsbourg, J. Kiesling, drog. Breslau, Herman Straka, nég, 
Du lundi au vendredi : de 8h30 à 12h00 et de 14h00 à 18h00 Mépris 1963 and Masculin, feminine 1966, Louis Malle directed her in Vie privée 1962 and Viva Maria! 1965, and Michel Deville directed her in LOurs et la poupée 1969. She made two other films with Vadim, Les Bijoutiers du clair de lune 1958 and Don Juan 1973. Bardots films tend to reflect the role she came to play in the public eye at the height of her career. As her untamed, wild blond hair always suggested, Bardot the icon came to stand for the ability of women to refuse to conform to those roles thrust upon them, be they by society or by men. Bardot also represented an overt, if not fully conscious sexuality. She stood for an uninhibited demand for women to be who they were and to go where they wanted. It is small wonder her popularity coincided with an era that saw the rise of the womens movement and the general throwing over of traditional values. It is also no surprise that she was as popular in the United States as she was in France. Bardot gave up her film career in 1974, in part because she really did not like fame and in part because she no doubt realized that her physical appearance was a great deal of her appeal, and that as she aged and her appearance changed audience interest in her would likely diminish. Since that time, she devoted her life to the cause of animal rights, and, for the most part, stayed out of the public eye. However, Bardot, who is married to a senior member of Frances extreme right-wing party, the Front National, has attracted a fair degree of controversy since 1997. She has made numerous racist and antihomosexual remarks and has been fined several times, since such remarks are illegal under Frances hate crimes laws. In 2003, she published a book, A Cry in the Silence, which was filled with many of the same kinds of racist and extremist rhetoric, and for which she was also fined. BARONCELLI, JACQUES DE 18811951. Director and screenwriter. Born Jacques de Baroncelli-Javon in Bouillarges in Languedoc-Roussillon, Jacques de Baroncelli went on to become one of the best-known silent-film directors and a modestly well-known sound film director as well. Baroncelli at first aspired to journalism, but around 1909 turned to cinema. His first known film is LArlésienne 1909, an adaptation of the novel by Alphonse Daudet that was made 92100-Boulogne-Billancourt-Maison du droit de Boulogne-Billancourt-Point daccès au droit-35, rue Paul Bert-01 46 03 04 98 ESPAGNE. Vendese en Espana à 40 reaies botella grande y 24 reaies pequena en los puntos sfguentes A Madrid, Calderon, calle del Principe, 13; Ortiz, calle de Boteros; Simon, calle del Caballero de Gracia, 7. Almeria, Encargado principal de la Equidad. Barcelona, Marti, callc de Escudellers. Bilbao, Moncatoir. Coruna, Perez. Cadix, Cuno Salisse y Ca. Gibraltar, Dautiv Malaga.Moya; J M. Bazan. Oviodo, Arguelles. Jaen, Sagresta. San-Sebastian, Ozdozgoiti. Sevilla, Espinosu; D. Jose Mellado Ponce. Sanlander, Corpas. Valencia, Domingo. Valladolid Huerta. Tafalla, Landa. Zaragoza, Clavillar FRANCE. Prix 7 fr. 50 c. Chez tous les pharmaciens. Although the original, which premiered in Paris in 1927, did not do well at the box office, it remains one of the masterworks of cinema, albeit a controversial one. This may, in part, be due to the fact that few audiences of the day ever saw the full, six-hour version, as the film was often shown in pieces because of its length. Gance made several attempts to redeem the film, which he considered a masterpiece. He added sound to the film in 1934, and he reedited and rereleased it in 1971 under the title Bonaparte et la révolution. However, it is widely believed that it is only the most recent rendering of the film by film historian Kevin Brownlow done in 1981 that truly brings Gances vision to the screen. The enormous production costs of Napoléon the most expensive film made at the time, coupled with its commercial failure, undermined what had previously been Gances reputation as a cinematic great. Gance received backing for one more epic film, La Fin du monde 1931, his first sound film, but producers intervened during production and editing, fearing another Napoléon. The version that was released was a mere shadow of Gances vision for the film, and it, like its predecessor, did not do well. As a result, Gance earned a reputation as an eccentric with overambitious ideas, and he had trouble finding the financial backing to make films for a period of twenty or so years. Gance continued to make films, including La Dame aux Camélias 1934 starring Pierre Fresnay, Lucréce Borgia 1935, Le Roman dun jeune homme pauvre 1935, Le Grand amour de Beethoven 1936, Paradis Perdu 1939, Le Capitaine Fracasse 1942, Quatorze juillet 1953, Austerlitz 1960, and Cyrano et dArtagnan 1963, his final film. However, none of these ever achieved the acclaim won by his silent-film era epics. His fame during this period came more from previous achievements than contemporary ones, as he was awarded an international prize for invention for his technical contributions to cinema in 1954, and was named first laureate of the French national cinema in 1974. He was also given an honorary César in 1980. GARCIA, NICOLE 1946. Actress, director, and screenwriter. Nicole Garcia was born in Oran, Algeria. She debuted as an actress in 1968 in Etienne Périers Des Garçons et des filles and Jean Giraults 78100-Saint Germain En Laye-Commissariat de Police de Saint Germain en Laye-19 rue de Pontoise-01 30 21 51 89 Téléphone 01.64.26.61.55. Email a.khiterchelles.fr Site internet www.chelles.fr Nom de directeur KHITER ANISSA Nom de président Code APE 8411Z Siret 217.701.085.000.11. Historique Lespace Socioculturel Charlotte DELBO, a été créé en juin 2007 sous limpulsion de la municipalité, suite à un diagnostic de territoire par un cabinet indépendant. La ville disposait déja de 3 structures sociales, aussi ce quartier devait être doté de ce type déquipement, où dès louverture, une dizaine de personne se sont présentés naturellement, afin de co-construire le premier projet. La démarche a été de proposer aux habitants un espace dexpression et fédérateur. Cest à partir de cette démarche quil y a eu une volonté de faire ensemble. Par la suite, la municipalité a proposé avec la CNAF, la CAF 77 et avec lappui de lantenne CAF de Chelles, de développer et de financer une nouvelle structure adaptée, répondant aux besoins des habitants du quartier Chelles ouest. Jeudi 21 mai, plus de 300 enfants avaient rendez-vous aux Trinitaires pour la restitution des résidences dartistes. 78955-Carrières-Sous-Poissy-Centre multi-services Michel Colucci-124 av. Maurice Berteaux-01 78 63 72 00 92600-Asnières-Sur-Seine-Paroisse Saint-Daniel Permanence spécialisée droit au logement opposable uniquement-9, rue des Jardins-06 30 33 78 25 78300-Poissy-Territoire action social de Poissy Val de Seine et Oise-13, rue Jacob Courant-01 30 74 15 38 LICENCE PRO Santé, bien-être et plaisir par l alimentation et la cuisine Carte d identité de la formation Diplôme Licence professionnelle Spécialité Santé, bien-être et plaisir par l alimentation et la 78100-Saint Germain En Laye-Point daccès au droit de Saint Germain en Laye-34 rue André Bonnenfant-01 39 21 03 31 In addition to his own filmmaking, Painlevé was actively involved in the cultural promotion of cinema. He was the general director of cinema for the French government from 1944 to 1945, and he served as president of the French Federation of ciné-clubs from 1946 to 1956. Painlevé was also a producer and in 1930 he founded the production company Documents Cinématographiques. The company produced all of Painlevés own films and is still in existence. PARNALAND, AMBROISE-FRANÇOISE 18541913. Film pioneer and producer. An accountant by trade, Ambroise Parnaland was also an amateur inventor and someone with a keen interest in all things technological. Among Parnalands inventions were several film cameras including the Phototheagraphe and the Cinepar, both patented in 1896. As a result of his interest in photography and motion photography in particular, Parnaland founded the company Parnaland Frères in 1895. Initially, the company sold cameras, most notably the Cinepar, but eventually Parnaland branched into film production. The studio made a number of films, including La Malle et lauvergnat 1900, Grosse tête de Pierrot 1900, and En passant loctroi 1901. Parnaland Frères was, however, plagued almost from the beginning. The company used a P.F. Logo that was identical to that used by Pathé Frères, which caused confusion. In addition, the company distributed films Parnaland had taken of Parisian surgeon Dr. EugèneLouis Doyen performing surgery without Doyens permission. The ensuing legal action forced Parnaland to reorganize his company, and it was eventually re-created as Éclair studios in 1907. Parland himself was not long at Éclair. His partner in the reorganization venture, the lawyer Charles Jourjon, forced Parnaland out of the company in short order. Parnaland went back to selling photographic equipment but without much success. By 1912, he had given up on all things photographic and had gone back to being an accountant. PATHÉ, CHARLES MORAND 18631957. Film pioneer, producer, and studio director. Charles Pathé was born in Paris in 1863, the youngest of four sons. His family owned a butchers shop in which he worked as a child. As a young man, Pathé became determined to do whatever he had to get rich. He served in the military, went abroad 
Retour au sommaire Retrouvez ci-dessous les activités et les événements de la Maison pour tous Michel Colucci 92120-Montrouge-Espace Colucci-88, rue Racine-01 46 01 99 19 On dit que nous aurions dû prendre des renseignemens. Pour un journal de lOpposition, cela nest pas chose facile; on sait bien que les portes des ministères ne nous sont pas aisément ouvertes. Si le Siècle a rais une certaine vivacité dans sa polémique, on ne doit lattribuer quaux expressions mômes dont sest servi M. Le préfet de police S.is rectifications ont été adressées au gérant par voie dhuissier. Cette manière de-répandre a toujours, en définitive, quelque chose de blessunt. Les certificats attestent que des produits de toute nature des domaines nationaux sont vendus au profit de lEtat, mais cela nindique pas que la otaliti: dé ces produits le soit effectivement, il nous a semblé que M. Le préfet de police jouait sur les mots. Nous ne demandons pas mieux quon fasse une enquête et quon entende des témoins. .